MMus in Performance Audition Requirements by Instrument Type
Please see below for details regarding the repertoire that should be prepared for an audition (either live or a recording posted to a video sharing web site such as YouTube). Note that a list of professional accompanists available for hire in the London area will be provided when applicants book an audition. Applicants may also choose to bring their own accompanist.
Further information about audition dates.
Violin, Viola
- At least 3 different musical styles
- At least one movement from a concerto
- At least one work to be from the baroque or classical period
Cello
- At least 3 different musical styles
- At least one movement from a concerto
- Must include three movements from Bach Suite III, IV, V, or VI, or one movement or piece from the classical period
Bass
- One or more movements from the Bach Unaccompanied Cello Suites I, II, or II, either in Sterling's transposed edition, or in the original keys
- The first movement of a concerto by Vanhal, Dittersdorf, Bottesini, or Koussevitsky
- One other piece or movement in a style different from Bach and your concerto choice
- The orchestral double bass part of Beethoven's Symphony No. 5, 3rd movement
Guitar
- One composition from the 20th century or later such as a sonata by M. Ponce, Rodrigo, or Kleynjans equivalent to RCM grade 10 or ARCT level
- One of the Lute Suites by Bach
- One classical composition (Grade 10 or ARCT level equivalent)
- One additional composition should the above repertoire not add up to 45 minutes
Voice
- 3 opera arias, at least one in Italian
- 1 Oratorio aria
- 3 Art Songs
- 1 Art Song composed after 1960 in addition to the above
Solo Piano
Applicants must prepare a minimum of 20 minutes of solo piano repertoire, including:
- A complete Classical sonata or a sonata-form movement from a large-scale sonata by Haydn, Mozart, Beethoven, or Schubert
- One major work from the 19th century (may include Rachmaninoff)
- One additional contrasting work or étude demonstrating a high level of technical proficiency.
All repertoire must be performed from memory.
Collaborative Piano
- Duo Sonata
- Perform the first two movements of any duo sonata by Beethoven or Brahms
- Substitutions by other composers are not permitted.
- Art Songs
- Perform the following four songs, each in its original key:
- Liebesbotschaft - F. Schubert
- Allerseelen - R. Strauss
- Clair de lune - G. Fauré
- Das verlassene Mägdlein - H. Wolf
- Perform the following four songs, each in its original key:
- Self-Accompanied Selection
- Perform one short art song or brief aria of your choice, accompanying yourself on the piano.
- Optional Solo Work
- Applicants may also include one solo piano piece.
- Memorization is encouraged where appropriate but not required.
Candidates are required to bring their own soloists to the audition, or they may contact Dr. Sophie Roland sroland2@uwo.ca for assistance in securing soloists from Western.
Clarinet
- Concerto selection - first movement (e.g., Mozart, Copland through cadenza, Weber, Tomasi Concerti, etc.)
- Romantic/lyrical selection (e.g., Brahms Sonatas, Schumann Fantasy Pieces, Weber Grand Duo II, Poulenc Sonata II, etc.)
- Unaccompanied selection (Stravinsky Three Pieces, Tower Wings, Eric Mandat or W. O Smith piece, Sutermeister Capriccio, Rosza Sonatina)
- Orchestral excerpts:
- Rimsky-Korsakov - Capriccio Espagnol (all, including cadenza)
- Mendelssohn - Scherzo from Midsummer Night's Dream
- Brahms - Symphony No. 3, II
Flute
- First movement of a Classical concerto, or 2 movements of a Baroque sonata or partita
- A piece from the Romantic, 20th, or 21st century
- An unaccompanied work from the 20th or 21st century.
Percussion
Winds (excluding Clarinets and Flutes), Brass
Conducting
Pre-screening video recording
A face-to-the-camera video recording of the applicant conducting in rehearsal and performance, and a brief resumé of conducting experience are required. The video recording should be approximately 15 minutes of rehearsal footage and 5 minutes of performance footage. Selections may be incomplete, and a variety of different styles is encouraged.
Live Audition
After video recordings have been reviewed, applicants may be invited to campus to complete an in-person audition with a faculty ensemble in February. Conducting excerpts and score study assignments will be assigned in advance.