MMus Composition
Admission Requirements
- A Bachelor of Music with specialization in Composition or its equivalent, including 3 years of composition study
- Minimum 70% average in last 2 years of full-time studies
Application Materials
- 3-4 recent original scores in a variety of media
- Instrumental recordings (not MIDI) of the original compositions where possible
- A recent assignment or essay that demonstrates skills in analysis
- A statement of interest
- Two confidential letters of reference
- Transcripts from all institutions attended, uploaded in PDF
- Proof of English language proficiency (if applicable)
Application Deadline: extended to January 15
The Master’s of Music (MMus) in Composition allows students to continue to nurture their creative voice in a supportive and vibrant community rich with performance opportunities.
Students gain access to a variety of technologies and performers in an environment that welcomes the diversity of new music. Attending small classes and engaging in one-on-one mentorship with a faculty composer, our students develop their unique artistic voice.
Timeline for Progression
Year 1 | Year 2 | |||
Fall | Winter | Summer | Fall | Winter |
Courses: 9518, 9512, 9533, 9556 | Additional courses, if desired | |||
Thesis supervisor confirmed | Thesis proposal research and writing | Thesis proposal approved | Thesis research and writing | |
Thesis Proposal | Thesis Defense |
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What does a composition thesis look like?
The thesis for the MMus in Composition is an original composition, usually 10-15 minutes in duration. Our students have created a diverse range of works, including one-act chamber operas, song cycles for chamber ensembles, works for electronics, and pieces for full orchestra.
After a successful defense, theses are published through Scholarship@Western, an electronic thesis and dissertation repository. Links to recently published works can be accessed below while earlier theses are available through Western's libraries.
Recently Completed Theses
Thomas Yackimec. (2024). A Discourse in Strength: Suite for Orchestra. Supervised by Dr. Paul Frehner.
Yixuan Wang. (2023). The Collective Unconscious. Supervised by Dr. Omar Daniel.
Danial Derakhshan. (2023). Non-Directed Time. Supervised by Dr. Paul Frehner.
Emma Verdonk. (2022). The Tale of Rowan O'Shea (A Musical Drama). Supervised by Dr. Paul Frehner.
Kennedy Kimber-Johnson. (2021). Waves of Lament. Supervised by Dr. Omar Daniel.
Sandra Rocio Fuya-Duenas. (2021). Coloquio entre dos Perros, Comic Chamber Opera in Nine Scenes. Supervised by Dr. Paul Frehner.
Maxwell Lucas. (2020). Dreamvision Songbook: Five Songs for Mixed Ensemble. Supervised by Dr. Omar Daniel.
Daniel Gardner. (2019). Prufrock: a Monodrama for Baritone and Electronics. Supervised by Dr. Omar Daniel.
James Lowrie. (2019). Playscapes for Piano Trio. Supervised by Dr. Omar Daniel.
Kevin Gibson. (2018). Job: An Oratorio for Voices and Chamber Ensemble. Supervised by Dr. Omar Daniel.
André McEvenue. (2018). Capriccio for Mixed Ensemble and Piano. Supervised by Dr. David Myska.
Joshua Richardson. (2018). The Donnelly Opera. Supervised by Dr. Omar Daniel.
Eric Swiatoschik. (2018). The Old House. Supervised by Dr. Peter Paul Koprowski.
Willyn Whiting. (2018). Six Blake Songs. Supervised by Dr. Paul Frehner.
Colin McMahon. (2017). Antoinette, An Opera in One Act. Supervised by Dr. David Myska.
Jeffrey Lupker. (2016). Two Movements for Orchestra. Supervised by Dr. Peter Paul Koprowski.
William Nicolaou. (2016). Ethos. Supervised by Dr. Omar Daniel.
Joseph Aaron Lee. (2015). Amor Fati. Supervised by Dr. David Myska.
Alondra Vega-Zaldivar. (2015). Sophie, A Music Drama for Solo Soprano and Chamber Orchestra. Supervised by Dr. Omar Daniel.
Brian Topp. (2014). Evolve. Supervised by Dr. Paul Frehner.
Carolann De Young. (2013). Green Glass for Orchestra. Supervised by Dr. Paul Frehner.
Michael Lukaszuk. (2013). Kontakt. Supervised by Dr. Omar Daniel.
Alice Hansen. (2012). Mythologies: Three Tableaux for Flute, Harp, Strings and Percussion. Supervised by Dr. Peter Paul Koprowski.
Patrick Arteaga. (2012). Garden Theatre. Supervised by Dr. Paul Frehner.
Jeffrey McClellan. (2012). Dawn: A Symphonic Sketch for Orchestra. Supervised by Dr. David Myska.
Contact Info
Acting Department Chair
Peter Franck
TC 318
(519) 661-2111 x84330
Email: pfranck@uwo.ca
Graduate Program Assistant
Audrey Yardley-Jones
TC 216
519-661-2111 x85354
ayardley@uwo.ca