MMus Composition

 image of scores

Admission Requirements

  • A Bachelor of Music with specialization in Composition or its equivalent, including 3 years of composition study
  • Minimum 70% average in last 2 years of full-time studies

Application Materials

  • 3-4 recent original scores in a variety of media
  • Instrumental recordings (not MIDI) of the original compositions where possible
  • A recent assignment or essay that demonstrates skills in analysis
  • A statement of interest 
  • Two confidential letters of reference
  • Transcripts from all institutions attended, uploaded in PDF
  • Proof of English language proficiency (if applicable)

Application Deadline: December 1

The Master’s of Music (MMus) in Composition allows students to continue to nurture their creative voice in a supportive and vibrant community rich with performance opportunities.

Students gain access to a variety of technologies and performers in an environment that welcomes the diversity of new music. Attending small classes and engaging in one-on-one mentorship with a faculty composer, our students develop their unique artistic voice. 

Photo"Every detail of this program opened my perspective on being a professional musician, such as communicating with faculty members, making friends, and writing about music."

Danial Derakhshan, MMus Composition (2023)

 Learn more about Danial Derakhshan and our MMus program.


Program Requirements

Thesis-based  

Number of courses

5 half courses, or equivalent (2.5 credits)

Mandatory and recommended courses

9518 Composition (1.0 credit)

3 other half courses (1.5 credits), normally:
9512 Advanced Orchestration
9533 Electro-acoustic Music Composition
9556 Studies in Contemporary Repertoire  

(check timetable for scheduling details)

Milestones

Academic Integrity Module

To support success in graduate studies, all incoming graduate students are required to complete the School of Graduate and Postdoctoral Studies (SGPS) Academic Integrity Module in order to progress beyond the first term of their degree. Eligible students can access the module in the Graduate Student Web Services Portal

This module is designed to provide you with the necessary knowledge and resources to abide by academic principles during your graduate career and to help combat scholastic offenses. After reviewing the material and finishing the readings, students are required to complete both a multiple-choice assessment and a series of short case studies to evaluate their knowledge of academic integrity. Students have unlimited opportunities to pass the module. Students who do not complete the module will not be able to progress beyond the first term of their degree.

Thesis Proposal

By the end of the second term students should identify a thesis supervisor.

During the third term, students should work with the thesis supervisor to identify the genre, instrumental media, organization, and length of the thesis composition and work toward preparing the thesis proposal.

By the end of the fourth term, following approval by the thesis supervisor and second reader, the thesis proposal should be submitted to the Graduate Committee through the Associate Dean (Graduate Studies) for final approval.

Thesis

The thesis for the MMus in Composition is an original composition, usually 10-15 minutes in duration. The duration of the composition may vary depending on several factors including the instrumentation and complexity of the work and must be approved by the thesis supervisor. 

By the end of the fifth term the thesis should be submitted and successfully defended.

All procedures and formatting found in the School of Graduate & Postdoctoral Studies' (SGPS) Thesis Regulation Guide must be followed in the preparation of a thesis.

Please note the deadlines set by SGPS for thesis submission and scheduling of the defense.

Note about recordings: A recording of the thesis composition is not required. However, many students arrange to have a recorded reading of their composition, and the reading or performance often takes place later than the deadline for thesis submission set by SGPS. Be sure to understand that you must submit your thesis by the SGPS deadline, regardless of whether you have a recording of your composition. You may provide a digital recording at the time of submission, and if a live recording is made after the submission, you may make that available to the thesis examiners. (Any recording must be submitted to the Graduate Program Assistant.)

Expected duration of program

5 terms (20 months)

 

Timeline for Progression

Year 1 Year 2
Fall Winter Summer Fall Winter
Courses: 9518, 9512, 9533, 9556 Additional courses, if desired
Thesis supervisor confirmed Thesis proposal research and writing Thesis proposal approved Thesis research and writing
Thesis Proposal Thesis Defense

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What does a composition thesis look like?

The thesis for the MMus in Composition is an original composition, usually 10-15 minutes in duration. Our students have created a diverse range of works, including one-act chamber operas, song cycles for chamber ensembles, works for electronics, and pieces for full orchestra.

After a successful defense, theses are published through Scholarship@Western, an electronic thesis and dissertation repository. Links to recently published works can be accessed below while earlier theses are available through Western's libraries.

Recently Completed Theses 

Thomas Yackimec. (2024). A Discourse in Strength: Suite for Orchestra. Supervised by Dr. Paul Frehner.

Yixuan Wang. (2023). The Collective Unconscious. Supervised by Dr. Omar Daniel.

Danial Derakhshan. (2023). Non-Directed Time. Supervised by Dr. Paul Frehner.

Emma Verdonk. (2022). The Tale of Rowan O'Shea (A Musical Drama). Supervised by Dr. Paul Frehner.

Kennedy Kimber-Johnson. (2021). Waves of Lament. Supervised by Dr. Omar Daniel.

Sandra Rocio Fuya-Duenas. (2021). Coloquio entre dos Perros, Comic Chamber Opera in Nine Scenes. Supervised by Dr. Paul Frehner.

Maxwell Lucas. (2020). Dreamvision Songbook: Five Songs for Mixed Ensemble. Supervised by Dr. Omar Daniel.

Daniel Gardner. (2019). Prufrock: a Monodrama for Baritone and Electronics. Supervised by Dr. Omar Daniel.

James Lowrie. (2019). Playscapes for Piano Trio. Supervised by Dr. Omar Daniel.

Kevin Gibson. (2018). Job: An Oratorio for Voices and Chamber Ensemble. Supervised by Dr. Omar Daniel.

André McEvenue. (2018). Capriccio for Mixed Ensemble and Piano. Supervised by Dr. David Myska.

Joshua Richardson. (2018). The Donnelly Opera. Supervised by Dr. Omar Daniel.

Eric Swiatoschik. (2018). The Old House. Supervised by Dr. Peter Paul Koprowski.

Willyn Whiting. (2018). Six Blake Songs. Supervised by Dr. Paul Frehner.

Colin McMahon. (2017). Antoinette, An Opera in One Act. Supervised by Dr. David Myska.

Jeffrey Lupker. (2016). Two Movements for Orchestra. Supervised by Dr. Peter Paul Koprowski. 

William Nicolaou. (2016). Ethos. Supervised by Dr. Omar Daniel.

Joseph Aaron Lee. (2015). Amor Fati. Supervised by Dr. David Myska.

Alondra Vega-Zaldivar. (2015). Sophie, A Music Drama for Solo Soprano and Chamber Orchestra. Supervised by Dr. Omar Daniel.

Brian Topp. (2014). Evolve. Supervised by Dr. Paul Frehner.

Carolann De Young. (2013). Green Glass for Orchestra. Supervised by Dr. Paul Frehner.

Michael Lukaszuk. (2013). Kontakt. Supervised by Dr. Omar Daniel.

Alice Hansen. (2012). Mythologies: Three Tableaux for Flute, Harp, Strings and Percussion. Supervised by Dr. Peter Paul Koprowski.

Patrick Arteaga. (2012). Garden Theatre. Supervised by Dr. Paul Frehner.

Jeffrey McClellan. (2012). Dawn: A Symphonic Sketch for Orchestra. Supervised by Dr. David Myska.


Contact Info

Acting Department Chair
Peter Franck
TC 318
(519) 661-2111 x84330
Email: pfranck@uwo.ca 

Graduate Program Assistant
Audrey Yardley-Jones
TC 216
519-661-2111 x85354
ayardley@uwo.ca